This looks great:
This looks great:
Abbas Kiarostami (1940-2016). one of the great film makers of the late 20th and early 21st centuries, has died. Here is one of his films, A Taste of Cherry (1997):
Here’s a website with some examples of Orientalist art:
http://www.orientalistart.net/
Dabashi’s essay goes well beyond a critique of the cover of Reading Lolita Tehran, and his arguments also examine the political-pedagogical dimensions of focusing on “western classics.”
Regarding the illiterate 18 year old guide: Ebadi seems well aware that the Iranian Revolution has had contradictory effects on social life, including the status of women. If the revolution has enforced hejab, it also appealed to a whole sector of Iranians who had never had any role in public life at all during the Shah’s dictatorship. Of course time has passed, and the situation has changed: Iranians under the age of 30 have no experience of life outside of an Islamic Republic.
I think the main thing to keep in mind here is that our political “common sense”– as people raised in a “permissive” society– won’t necessarily lead us in the right direction. The contradiction we face is 1) how to work for the dignity of women without 2) falling prey to “the imperialism of human rights.” Or at least this is ONE of the contradictions we might attempt to unravel.
For those interested in accruing further film knowledge of Iran and its recent history, go to the following link, a website which– imagine!– provides free streaming documentary films:
Here’s a map of the Persian Empire circa 500 CE.
Sunni-Shia distribution map.
Map of the Middle East.
Relief map of Iran.
Map of Greco-Persian War.
The Gate of All Nations at Persepolis, which Xerxes commanded be built.
An aerial view.
I was going to post some youtube clips about the Iranian Revolution. There are some good videos out there and a huge number of racist, Islamophobic, colonialist ones as well. Pretty depressing.
This is one of several videos that look like raw footage of the revolution. There’s no voice over or any attempt to organize the images into a linear form.