I’m thinking of teaching The Clansman by Thomas Dixon next semester. Dixon was a white supremacist, an admirer of the Confederacy, and a staunch supporter of Jim Crow. The Clansman, the second installment of a trilogy about the post-Civil War South, became the basis of one of the most influential films in cinema history, D.W. Griffith’s The Birth of a Nation. The novel is replete with racist invective and celebrates the KKK. It is also a historically significant text that provides insight into the ideology of white supremacy and the political uses of the genre of historical romance. Do you think this kind of fiction belongs in the classroom? Would you be interested in reading such a book in one of your courses? If you have any thoughts on this matter please share them, either in the comments field of this post or via email. I appreciate your feedback.
This week in Colombia.
An excerpt from Corey Robin’s new edition of The Reactionary Mind.
When it comes to saying something with buildings, Trump is less concerned with size and scale than with surfaces. This is a man incapable of reading a summary of a briefing paper. But show him a window treatment, mention a slab of stone or pane of burnished glass, and his attention is rapt. Suddenly he becomes the most observant diarist, recording detail after loving detail of the beauty he sees and its effects on him:
Der, Ivana, and I looked at hundreds of marble samples. Finally, we came upon something called Breccia Perniche, a rare marble in a color none of us had ever seen before — an exquisite blend of rose, peach, and pink that literally took our breath away. . . . It created a very luxurious and a very exciting feeling.
Amid a complex account of the financial challenges of retail, Trump can’t help noting that one of his atrium’s tenants sells leather pants that are “soft and buttery.”
This is a pretty good example of Expressionist mise-en-scène. From FW Murnau’s Phantom (1922).
History runs deep.