William Caxton’s 1483 version of the legend of St. Eustace, from The Golden Legend.
This is the wall painting in Canterbury Cathedral that inspired Russell Hoban’s novel Riddley Walker.Continue reading
Cover art for The Black JacobinsContinue reading
(Note on terminology: After struggling with it awhile I opted to use the n-word once in this essay because it is literally part of the name of the object discussed. This single use of the term was placed in quotes to indicate that fact, as well as the fact that I would never use it otherwise.)
The characters and events described by Charles Chesnutt in The Marrow of Tradition give dramatic form to Black people’s experience of racist discrimination and violence during the Nadir of the Negro. Deprived of many civil rights, targeted by lynch mobs, and subjected to daily indignities, African Americans struggled to survive the Nadir as best they were able.Continue reading
I began my project with a clear idea of which image I wanted to discuss: the cover illustration of Amin Maalouf’s The Crusades Through Arab Eyes. The first thing I learned about this image was what I read on the back of the book, where notes about cover art are usually placed. The note informed me that the image was of Saladin and Richard jousting from a 14th century text called the Luttrell Psalter.Continue reading
Images of Saladin:Continue reading
Caspar David Friedrich
Monastery Cemetery in the Snow
Jean-Michel Basquiat 1982
Theodore Ryssellberghe, 1888
This restored wall painting, The Legend of St. Eustace (ca. 1480) inspired a post-apocalyptic novel by Russell Hoban– Ridley Walker (1998)– I might be teaching in the Fall. It is said that St. Eustace was martyred by Emperor Hadrian by being baked alive in a hollow bronze bull.