HUM220: Values and Culture SPR21

Johann_Heinrich_Füssli_-_The_Nightmare_-_WGA08332

Humanities 220-02: Values and Culture

SPRING 2021

Tuesday 2-3.15

Sean Connelly

Office hour: Thursday 12-1

Contact: connelly@sfsu.edu

Course Blog: analepsis.org

The Project:

Prerequisite: GE Area A2. Examination of significant works of cultural expression with respect to their aesthetic dimensions, historical contexts, and illumination of human value patterns. At least one non-western work is studied.

HUM220 examines the relationships between expressive forms and social values across multiple historical periods and national cultures including Qing era China, , and colonized Africa. Using the supernatural as a lens, students will explore specific texts from a range of genres such as the novel, the short story, film, visual culture, and popular music. By focusing specifically on the category of the gothic—a concept that denotes “barbarian” European tribes, a style of architecture, and a system of fictive conventions—we will consider the ways that tropes and themes of haunting, confinement, delusion, and terror (among others) are used to support and trouble dominant social values. What are the ideological functions of the gothic? How do different cultures, at different moments in history, use gothic materials?

Basic Expectations:

Arrive on time, work completed, with the assigned text.

With the exception of in-class work, all assignments should be typed.

Every assignment should include name/date/course.

ALL ELECTRONIC DEVICES ARE TO BE TURNED OFF AND PUT AWAY.

Students who text, sleep, or surf in class will be told to leave.

Trust and Development:

Cheating destroys trust between teacher and student, actively undermines their relationship, and indicates that the cheater is more interested in pocketing a couple of credits than developing as an intellectual and ethical being.

Anyone caught plagiarizing will receive a zero on the assignment and be reported to the dean in charge of student affairs. Chronic cheating will result in an F for the semester and possibly expulsion from SFSU.

Note that plagiarism includes taking someone else’s ideas without attribution and re-phrasing them. It also includes contract cheating and using an electronic device to cheat on in-class assignments. Because ALL ELECTRONIC DEVICES ARE TO BE TURNED OFF AND PUT AWAY, however, the latter will be impossible.

See http://www.sfsu.edu/~vpsa/judicial/titlev.html

Accessibility:

If you have particular needs or challenges that you think I should know about, please discuss them with me at the beginning of the semester and I’ll do my best to accommodate you. See also: Disability Program and Resource Center (338-2472 or dprc@sfsu.edu).

Title IX:

Teachers are required by law to contact the Dean of Students should a student inform them of an instance of sexual violence or gender discrimination. Students wishing to discuss such experiences confidentially may contact The SAFE Place – (415) 338-2208; http://www.sfsu.edu/~safe_plc/  Counseling and Psychological Services Center – (415) 338-2208; http://psyservs.sfsu.edu/ For more information see http://titleix.sfsu.edu

Work and Grading Rubric:

Attendance (More than 3 absences will result in a “no-pass” for this portion of the final grade) 10%

Class Work (participation, random pop quizzes, in-class writing) 25%

Gothic Track Assignment: 10% TBA

Midterm (a short set of identifications and definitions) 20% 3/8

Film Analysis Project 15% TBA

Final Exam 20% 5/24

Notes on Reading:

Reading is an activity. MRI scans of students fully immersed in reading show a remarkable degree of brain activity. Reading repays the effort, imagination, attention, and discipline that it requires. The more we read the better readers (and writers) we become. See http://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html?pagewanted=all&_r=0

Buy hard copies of the proper editions of the books.

Complete the readings as quickly and thoroughly as possible.

Look up unfamiliar words and take notes. Taking notes in longhand increases memory and comprehension. In fact, participants in a recent study “who [took] notes with laptops performed worse on tests of both factual content and conceptual understanding, relative to participants who had taken notes longhand.” See http://www.academia.edu/6273095/The_Pen_Is_Mightier_Than_The_Keyboard_Advantages_of_Longhand_Over_Laptop_Note_Taking

Write in the margins of your book.

Mark significant passages.

Read carefully and think about what you read.

Learning Outcomes

Students should complete this course with a solid foundation in cultural theory, contemporary history, and the analysis and interpretation of literature and film.

Required Resources

To take this course you will need the following:

3 books (see below)

computer and internet access

a notebook

pens/pencils

Required Texts

You are required to have hard copies of these specific editions of the following texts. Use the ISBN to be sure you have the required edition.

Jeremias Gotthelf, The Black Spider (Switzerland 1842 ) 

ISBN: 9781590176689

Thierry Jonquet, Mygale (France 1995)

ISBN: 9780872864092

Joseph Conrad, Heart of Darkness (Poland/UK 1899)

ISBN: 9780199536016

eReader

(* = at SFSU library. hyperlinked title = the entire text is available on this page in pdf format. hyperlink after the title = an excerpt)

Bennett, Grossberg, Morris, Williams, Bennett, Tony, Grossberg, Lawrence, Morris, Meaghan, and Williams, Raymond. New Keywords A Revised Vocabulary of Culture and Society Malden, MA: Blackwell Pub., 2005.  (NKW)

*Faulkner, Neil. A Radical History of the World: From Neanderthals to Neoliberals. London: Pluto, 2013. (RHW)

Hall, Stuart. Modernity: An Introduction to Modern Societies. Malden, MA: Blackwell, 1996. HallWestRest

*Herman, David. Narrative Theory: Core Concepts and Critical Debates. Columbus: Ohio State UP, 2012.

Jenkins, Keith,. Re-Thinking-History. 3rd ed. London: Routledge Classics, 2003.

Marx and Engels, Communist ManifestoManifestoSec1

Marx, “The Fetishism of the Commodity”: fetishism

Marx, “The Power of Money”: https://www.marxists.org/archive/marx/works/1844/manuscripts/power.htm

Patterson, Thomas C. Inventing Western Civilization. New York: Monthly Review, 1997. InventingBarbarians

*Robinson, Cedric J. Black Marxism: The Making of the Black Radical Tradition. Chapel Hill, N.C.: U of North Carolina, 2000. (BM)

“Storyworld”: Storyworld

Williams, Raymond. Marxism and Literature. Oxford: Oxford UP, 1977. (ML)

Music

Internet Resources

The Internet Medieval Sourcebook: https://sourcebooks.fordham.edu/sbook.asp

via library.sfsu.edu:

artstor.org

films on demand https://fod-infobase-com.jpllnet.sfsu.edu/nd_Home.aspx

academic video online https://video-alexanderstreet-com.jpllnet.sfsu.edu/channel/academic-video-online

jstor https://www-jstor-org.jpllnet.sfsu.edu

Filmography

TBA

Assignments/Grading Rubric

Effort and Engagement 30%

    Fora. Discuss readings with other students in several fora.

    Quizzes. Short answer and multiple choice.

Image 15%

Curate an image that enhances our understanding of the The Crusades Through Arab Eyes in terms of 1+2 or 1+3

    1. its historical context

    2. its connection to the contemporary era

    3. one (or more) of its thematic elements

    AND Respond in a thoughtful (informed, non-trivial) way to a classmate’s curated image.

Reading Log 15%

    Upload images of 3 pages from your reading log to the forum (x 3). Example: reading journal

Film Analysis 15%

    Review a feature film set in or focused on Haiti or the African Diaspora.

    Use YaleFilmGuide to include discussion of formal aspects of the film.

Writing Project 25%

    A critical essay, a personal essay, or a critical emulation

Rubric

3 = assignment met AND delivered by FIRST deadline

2 =  assignment not met AND delivered by FIRST deadline

OR assignment met AND delivered by FINAL deadline (one week after FIRST deadline)

1 = assignment not met AND delivered by FINAL deadline (one week after FIRST deadline)

0 = assignment not delivered by FINAL deadline

Important Dates

1/25 Instruction begins

2/12 Last day of drop/add

9/25 Graduation application deadline

10/19 CR/NC deadline

11/23-11/30 Fall break

12/11 Last day of instruction

12/15 Writing project due by 12 pm

Films:

The Cabinet of Dr. Caligari (1920); Nosferatu (1922); The Golem (1920); The Haunting (1963); The Innocents (1961); Dark City (1998); Double Take (2010); Gothic (1987); The Seventh Victim (1943); A Tale of Two Sisters (2003); Ugetsu (1953); Kwaidan (1964)

Music:

Bauhaus, “Bela Lugosi’s Dead”; Johnny Cash, “Ain’t No Grave”; Joy Division, “Atmosphere”; The Birthday Party, “She’s Hit”; Adam and the Ants, “Kick!”; The Cure; Fields of Nephilim; Xmal Deutschland; etc.

Schedule:

Week Two: 2/2

In Class: Course Introduction; GW1: “Before the Law”

Clips/Tracks: Bauhaus, “Bela Lugosi’s Dead” ( https://analepsis.org/2015/08/23/bela-lugosis-dead-hum220-hum303/ ); Vincent ( https://www.youtube.com/watch?v=fxQcBKUPm8o ); An Introduction to the Gothic (https://www.youtube.com/watch?v=UpA_3NL_S7E)

Assignment for next week, 2/9: Eagleton, “What is a Novel?”; Bennett, “Culture”; Armstrong, “Gothic Novel”; OED, “Atmosphere”; Carter, “In the Bloody Chamber”

Week Three: 2/9

DROP/ADD ends

In class: Lecture/Discussion of assignments.

Clips/Tracks: Bram Stoker’s Dracula (1992); The Hunger; BFI Gothic ( https://analepsis.org/2015/08/29/bfi-gothic-hum220-hum303/ );

Assignment for next week, 2/16: Aikin, “Sir Bertrand: A Fragment”; Hawthorn, “Preface”; Hogle, “‘Gothic’ Romance”; Mikaberidze, “Enlightenment”

Week Four: 2/16

In Class: Lecture/Discussion of assignments.

Clips/Tracks: Xmal Deutschland, “Mondlicht”; The Monk

Assignment: Nealon & Giroux, “Subject” and “History”; Gotthelf, The Black Spider

Week Five: 2/23

In Class: The Birthday Party, “She’s Hit”; ICW; discuss The Black Spider

Clips/Tracks: None

Assignment: Groom, The Gothic (through Ch. 10); Thomas, “Introduction,” Glossary; Gotthelf, The Black Spider

Week Six: 3/1

In Class: Crimson Peak (full length); Discussion MEET IN HUM 133. DON’T BE LATE.

Assignment: Yale Film Analysis Guide

Week Seven: 3/8

In Class: Prep Midterm; MIDTERM

Assignment: Pu, “Painted Skin” and “Fox Enchantment”; Ancuta, “Asian Gothic”; Burke, A Philosophical Enquiry into the Origins of the Sublime and the Beautiful (excerpts)

Week Eight: 3/15

In Class: Painted Skin films

Assignment for 3/29: Jacobs, Incidents in the Life of a Slave Girl; “Negro”; Leslie Fiedler, Love and Death in the American Novel (excerpts)

Week Nine: 3/22

Spring Break

Week Ten: 3/29

In Class:  Skip James, “Devil Got My Woman” ( https://analepsis.org/2015/09/09/two-tracks-hum220-hum303/ )

Assignment: Hoffmann, “The Sandman”

CR/NC Option Deadline on 3/30

Week Eleven: 4/5

In Class:

Clips/Tracks: Ex Machina; Alien; The Sandman

Assignment: Freud, “The Uncanny”

Week Twelve: 4/12

In Class:

Clips/Tracks: The Sandman

Assignment: Conrad, The Heart of Darkness

Week Thirteen: 4/19

In Class: Final GTA presentation.

Clips/Tracks: Bookmark: Heart of Darkness

Assignment: Bronfen, “Cinema of the Gothic Extreme”; Kromm, “Inventing the Mise-en-scene”

Week Fourteen: 4/26

In Class:

Clips: German Expressionist Cinema

Assignment: Jonquel, Mygale

Week Fifteen: 5/3

In Class:

Screening: Dark City (Proyas 1999)

Assignment: Jonquel, Mygale

Week Sixteen: 5/10

In Class:

Film Analysis Project Presentations

Week Seventeen: 5/17

Last Day of Class: Review

TUESDAY MAY 24 6.10 FINAL EXAM

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