“The realist novel represents one of the great revolutionary cultural forms of human history. In the domain of culture, it has something like the importance of steam power or electricity in the material realm, or of democracy in in the political sphere. For art to depict the world in its everyday, unregenerate state is now so familiar that it is impossible to recapture its shattering originality when it first emerged. I doing so, art finally returned the world to the common people who had created it through their labour, and who could now contemplate their own faces in it for the first time.”
— Terry Eagleton
“Youth Culture” as a category depends in part on disciplinarity: methods, first principles, what counts as evidence, truth-claims. Every act of description is an interpretation.
California Youth Film Cultures
River’s Edge (1986).
6Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death; jealousy is cruel as the grave: the coals thereof are coals of fire, which hath a most vehement flame.
7Many waters cannot quench love, neither can the floods drown it: if a man would give all the substance of his house for love, it would utterly be contemned.
8We have a little sister, and she hath no breasts: what shall we do for our sister in the day when she shall be spoken for?
9If she be a wall, we will build upon her a palace of silver: and if she be a door, we will inclose her with boards of cedar.
When You’re Down and Out: