analepsis

“So as to give them courage we must teach people to be shocked by themselves.”

Category Archives: Africa

True Africa

From Kai Krause, a map representing the true size of Africa, a continent that is routinely misrepresented on standard Mercator projection maps:

true-size-of-africa

Pumzi (HUM415)

WFD Resources (HUM415)

Some resources for reading Okorafor’s Who Fears Death?:

The Washington Post article Okorafor credits as a catalyst for writing the novel:

http://www.washingtonpost.com/wp-dyn/articles/A16001-2004Jun29.html

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Chinua Achebe (1930-2013)

Chinua Achebe– celebrated author, educator and activist– has died. His first novel Things Fall Apart, published the year Ghana decolonized, is part of college curricula around the world. He proved a sharp satirist not only of European colonialism, but of corrupt post-colonial elites.

Chinua Achebe 1960

Paradise (HUM415)

Even now, we tend to think of Africa as monolithic and to speak of Africans collectively as if they were not incredibly diverse in cultural, racial, and ethnic terms. One of the projects of a writer such as Abdulrazak Gurnah is to challenge these misconceptions by reconstructing the continent’s “geographical imaginary.” Part of that process includes representing the multiplicity of figures and groups populating East and Central Africa, a demographic reality Gurnah dramatizes by narrating a crucial period in world history: the consolidation of colonial power in Africa. Some decades after the notorious Berlin Conference, this stage of colonization witnessed a rapidly shifting social terrain– including the end of the “Great Caravans”.

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Africa Colonized (HUM303/ HUM415)

A map of Africa in 1922. At this point in history, only Egypt is beginning to decolonize. Note also, this map was made in the aftermath of WWI, so German West and East Africa had been taken over by the British.

africa1922map

 

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Heaters for Norway!

Courtesy of Ben:

Isabel at MOAD (HUM455/HUM415)

AUTHORS IN CONVERSATION | Isabel Allende in conversation with Carolina de Robertis

Thursday November 15, 2012

6:30 pm – 8:00 pm

 

Isabel Allende will read from Island Beneath the Sea and discuss her work and its relationship to the African Diaspora in conversation with local author Carolina de Robertis.

Chilean author Isabel Allende won worldwide acclaim when her bestselling first novel, The House of the Spirits, was published in 1982. In addition to launching Allende’s career as a renowned author, the book, which grew out of a farewell letter to her dying grandfather, also established her as a feminist force in Latin America’s male-dominated literary world.She has since written nearly 20 more works, including Island Beneath the Sea in which Allende spins the unforgettable saga of an extraordinary woman born into slavery on the island of Saint-Domingue determined to find love amid loss and forge her own identity under the cruelest of circumstances. In addition to her work as a writer, Allende also devotes much of her time to human rights. Following the death of her daughter in 1992, she established in Paula’s honor a charitable foundation dedicated to the protection and empowerment of women and children worldwide.

Carolina de Robertis is the author of the novelsPerla and The Invisible Mountain, which was an international bestseller translated into fifteen languages, a San Francisco Chronicle Best Book of the Year, and an O, The Oprah Magazine 2009 Terrific Read. De Robertis grew up in a Uruguayan family that immigrated to England, Switzerland, and California. Prior to completing her first book, she worked in women’s rights organizations for ten years, on issues ranging from rape to immigration. She lives in Oakland, California, where she is at work on her third novel, and is also co-producing a documentary entitled Afro-Uruguay: Forward Together, about people of African descent in Uruguay, their musical tradition of candomble, and their road toward racial equity and uplift.

Free with MoAD Admission

The (Black/Trans)Atlantic World, Slavery, and America (HUM455)

Here is some background to the Haitian Revolution, taken from a lecture I gave a couple of years ago. Note that several of the terms discussed below bear a relationship to the concepts of the geographical imaginary/imagination.

Maritime Culture, America, and the Black Atlantic

“The Oceanic Revolution”: the opening of the Western Hemisphere to exploration and colonization was a world historical event. The central figures of this revolution were sailors and the enslaved.

Deep water exploration had a profound impact on different forms of knowledge. New peoples, unfamiliar cultural formations and ways of organizing society, led to a new typologies of human difference, new methods of categorization, the rise of Race as a term describing not simply national/cultural differences, but variations that were seen to be somatic (in/of the body) and ineradicable. Theories of monogenism/polygenism. In other words, the oceanic revolution resulted in a kind of proto-anthropology.

In Spanish America the confluence of people of different backgrounds led to the what came to be known as the Casta System. Out 4 main racio-cultural groups– Peninsular (European born in Spain); Criollo (European descent, born in America); Indio (indigenous); and Negro (African descent)– came a plurality of “mixed” possibilities.

 

This, in distinction to British North America, where the racial divide tended to be simplified to a Black/White binary according to the “one drop rule” (principle of hypodescent). Of course, as time passed, new groups came to the Americas, especially people from China and the Philippines. See, for example, this chronology of Asians in America

http://web.mit.edu/21h.153j/www/chrono.html

chinese-miners

The Black Atlantic

“Black Atlantic refers not to a clearly defined region or specific period, but to a multidimensional and trans-cultural space characterised more by movement and networking than by particular sites. Paul Gilroy sees the Atlantic Ocean as a negative continent that makes it possible to trace lines of social, historical and cultural connection between the Americas, Africa and Western Europe.”

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The Cinema of African Decolonization: Lumumba (HUM303/415/455/470)

For students of HUM455 Lumumba can be seen as the dramatization of the long term consequences of the Haitian Revolution as narrated by CLR James. Both Patrice Lumumba and Toussaint L’Ouverture were key figures in the struggle to attain independence, liberty, and dignity for their countries against colonialism.

For students of HUM303 Raoul Peck’s film represents the beginning of the end of the partitioning of Africa that we’ve been discussing in reference to King Solomon’s Mines.

For students of HUM 470, here is an example of a “biopic” that melds individual and national development. Collective and personal fortunes are closely linked.

For students of HUM415, this film represents the pre-history of the period we’re studying. Decolonization was a chain of events of world-historical significance.

Here’s the trailer:

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